Monday, April 27, 2009

Week 3: Captured shots from UnrealEd



Week 2: 18 Axonometric sketches










Week 1: 3 Quotes by the Clients for Experiment 2

KEITH CAMPBELL:
"Cloning may be good and it may be bad. Probably it's a bit of both. The question must not be greeted with reflex hysteria but decided quietly, soberly and on it's own merits. We need less emotion and more thought."

ALFRED NOBEL:
"Hope is nature's veil for hiding truth's nakedness."

JACQUES-YVES COUSTEAU:
"From birth, man carries the weight of gravity on his shoulders. He is bolted to earth. But man has only to sink beneath the surface and he is free."

Chosen clients for Experiment 2:
Alfred Nobel & Jacques-Yves Cousteau

Wednesday, April 1, 2009

Reduced Size of Final Sketch up model!!!

I would like to bring this to the tutor's attention. My initial size of the model was 26MB as it contained a lot of detailed work. Due to the fact that 3D warehouse only accepted a maximum file size of 10MB, a lot of it was deleted and the whole size was reduced to 8MB. This only proves how much had to be removed, like for example the landscape and water bodies surrounding the building. The actual design may be viewed from the images and the animation.

Thank you

Animation Week 4 submission

WEEK 4 SUBMISSION - LINK LEADING TO THE COMMENT

http://sarahpassarelli.blogspot.com/2009/03/sketch-up-model-2.html?showComment=1238636220000#c6917798436173705691

WEEK 4 SUBMISSION - Artists

Rosalie Gascoigne:

I have chosen Rosalie Gascoigne's 1994 geometric sculptural piece as an inspiration for this project. Most of her works that I have studied were rather abstract even though they were usually made of regular materials. The composition is so different that the over all affect is unexpected. Therefore the chosen word describing her work was "abstract". The way she arranges regular materials seems rather simple. However once studied closely, the whole array of designs appear rather complicated. There seems to be a strange balance between the usage of materials and the patterns created. Sometimes they are composed of words and other times they are images. Her work was chosen as they appeared interesting and unconventional because of the unexpected unity between her abstract pieces.


Tracey Moffat:

Tracey Moffat's 1998 photograph Laudanum provided inspiration for the project. The word describing this particular piece was darkness. The photograph was that of a lady and a young boy whos faces were hidden. It might have been taken through some sort of a window as squares made of wire like materials appear. The photograph is not coloured, hence the word darkness has been used to describe the environment which appears rather cold as the two characters do not face each other. Amongst all her photographs Laudanum appealed to me the most as it provided a lot of room for imagination. There was nothing direct about this photograph. The characters might have been sad or in complete silence or even in a fight, however that would be difficult to predict mainly because of the fact that Moffat skillfully decided to avoid capturing their faces.

WEEK 4 SUBMISSION - Sections

DIAGONAL SECTION
VERTICAL SECTION

SECTION THROUGH BASEMENT

HORIZONTAL SECTION THROUGH LEVEL 1

HORIZONTAL SECTION THROUGH LEVEL 1









WEEK 4 SUBMISSION - GROUND FLOOR GALLERY & EXHIBITION SPACE

GALLERY & LEVEL 1 ALONG WITH THE SURROUNDING LANDSCAPE & WATER BODIES
FRONT VIEW OF THE GALLERY

ENTIRE GALLERY VIEWED FROM A DISTANCE

BACK VIEW
GROUND FLOOR STAIRS LEADING TO LEVEL 1

USE OF THE CIVIC SPACE

WALLS EXHIBITING THE WORK OF THE ARTISTS
VIEW OF THE GALLERY FROM A PARTICULAR ANGLE

GALLERY
VISITORS ON THE GROUND FLOOR EXHIBITION SPACE
GROUND FLOOR GALLERY IN USE






















WEEK 4 SUBMISSION - TRACY MOFFAT'S LEVEL 1 WORK SPACE

LEVEL 1
CLOSE VIEW OF LEVEL 1

GLASS ENTRANCE LEVEL 1

SPIRAL STAIRS LEADING TO GLASS ENCLOSED ROOMS ON LEVEL 1


SEPARATE ENCLOSED STUDIO

LEVEL 1

OPEN AIR FLEXIBLE WORKING SPACE ON LEVEL 1

This relaxing working area allows the artist to enjoy the natural surroundings and work at the same time.



VIEW OF LEVEL 1 WORK SPACE FROM THE TOP

LEVEL 1 OPEN SPACE

LEVEL 1
The circular glass structures allow a view of the ground floor and the gallery visitors


























WEEK 4 FINAL SUBMISSION - ROSALIE GASCOIGNE'S BASEMENT STUDIO

HORIZONTAL VIEW OF THE BASEMENT WORK SPACES
ENCLOSED PERSONAL WORK SPACE
ARTIST'S INTERRACTION WITH THE MID SPACE
MID SPACE BETWEEN THE 2 WORKING ROOMS
3rd WORKING ROOM










WEEK 4 FINAL SUBMISSION - SKETCH UP MODEL IMAGES

CIVIC SPACE
GROUND FLOOR AND LEVEL 1 COMBINED
VIEW FROM TOP
VIEW FROM TOP
DIFFERENT LEVELS WITH LANDSCAPE
DIFFERENT LEVELS WITH LANDSCAPE
3 DIFFERENT LEVELS
CLOSER VIEW OF THE ENTIRE SITE
ENTIRE SITE FROM TOP